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On Valentine’s Day in 1993, they gave out chocolate kisses in Grand Central Terminal with the message “You’ve just been kissed by a lesbian,” and unveiled a papier-mâché figure of the lesbian socialite Alice B. (Their manifesto calling on “all lesbians” read, in part, “closeted lesbians, queer boys and sympathetic straights should give us money.”) At their first action, outside a Queens elementary school where the school board had rejected the Children of the Rainbow curriculum, the Avengers arrived with a marching band, handing out purple balloons to children that read, “Ask About Lesbian Lives.” Like their logo, the Lesbian Avengers’s activism was in-your-face and tongue-in-cheek. d’Adesky said she worried the imagery read as aggressive.īut, she said, “humor was going to be part of our messaging because there was a stereotype that remained in the culture around: You are angry, humorless lesbians.” She grew to embrace the bomb. “Having a presence around lesbianism that looked like it was part of the sort of sophisticated visual world - part of the world in general, the world that was targeted to everyone - felt really important.” “Separatist lesbian culture was kind of willfully low-tech. She joined the Lesbian Avengers shortly afterward, putting her skills to use making print materials and eventually designing the group’s official logo: a lit bomb, ringed by the words “The Lesbian Avengers” in a bold sans-serif typeface called Frutiger. Moyer, a graphic designer who was immediately taken by the group’s romanticized revolutionary stylings. It “was kind of a 19th-century anarchist type of thing,” she said. Simo’s spur-of-the-moment addition, a nod to her “little obsession” with revolutionary movements of the past. Printed at the bottom of the handouts was a little icon of a bomb - Ms.
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That June, at the Gay Pride March in New York City, members handed out “club cards,” colorful pamphlets that read “Lesbians! Dykes! Gay Women!” and “We want revenge and we want it now!” “We want to make our existence known to the world.
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“Lesbians are invisible, and we don’t want to be invisible,” Ms. The group’s mission was to increase awareness of lesbians - and promote their rights - both within queer culture (radical lesbian politics were mostly associated with second-wave feminists living in insular communities) and the mainstream.
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“It was called The Avengers because Diana Rigg was a lesbian icon on the TV show ‘The Avengers’,” said Ms. Moyer told the website Autostraddle, “the idea of having this sort of mass dispersal of T-shirts, was like, wow, this is a way to get information out that seems really expedient.” “It’s kind of like a teaser for a history that very little is known about.”Īs Ms. “To be honest, at first, I didn’t even think they were going to want to use it because it’s more provocative than how they’re attempting to depict gay people,” Ms. The designer of the logo, Carrie Moyer, a Lesbian Avenger herself, had sold it to the Gap. But its back story turned out to be more complicated than a case of coldblooded corporate appropriation. “The Lesbian Avenger name and our bomb logo have always existed and been made available as open-source name/graphics to be used in good faith only by and for Lesbian Avengers activities, actions and projects - not to be sold or used to raise funds by a commercial venture.”īy then, the shirt had disappeared from the Gap’s site. “Our lesbian history and movement are not for sale,” the letter read.